Saturday, December 13th, 2025 07:58 am

Synth Glossary

Control input:: An input into part of the synthesizer that allows that bit to be modulated by another part of the synth. For example there is a control input in the amplifier which controls the level of amplification. If a very slow sine wave (an LFO) is patched into this input then the sound will slowly get louder and quieter. If an LFO was patched into the control input of the oscillator instead, then the sound would go higher and lower in pitch....

The Pro-One is a monophonic, two oscillator synthesizer with a 3 octave, 37-note (C-C), keyboard. VCO1 is switchable between sawtooth and pulse waveforms (either or both) and can be synced to VCO2. VCO2 is switchable between sawtooth, triangle, or pulse waveforms (any or all) and has a switch to disable keyboard control. The LFO can output a sawtooth, triangle or a pulse waveform. The Pro-One has a single envelope generator (ADSR). The VCF has controls for frequency cutoff, resonance, envelope modulation amount, and keyboard follow amount. The VCA is controlled by the ADSR. The available modulation sources are Filter Envelope, VCO2, or LFO. These sources can modulate VCO1 frequency, VCO1 pulse width, VCO2 frequency, VCO2 pulse width, or the filter. The Pro-One has a 40-note dual sequencer with a volatile memory (the sequence is lost when you turn the instrument off) and an arpeggiator.